Friday, February 25, 2011
James Blake. Substance to the Hype
Since music began every once in awhile a musician would come along that would garner praise across the board. Hyped as the musical second coming of Christ that was about to change the music scene forever. Recently such high praise has been heaped upon the delicate shoulders of a 23 year old Londoner by the name of James Blake. Blake has been composing and producing his own brand of post-dubstep electronic jams for a relatively short period of time. Blake was a live member of London production team Mount Kimbie but, it was around this time last year that I first heard of James Blake with the release of his eps "Air and lack thereof" and "The bells Sketch". These were mostly instrumental affairs with the odd sample of Blake's own manipulated vocal lines used sporadically throughout. The production was perhaps what impressed more so than the content of the songs themselves.
It was Blake's preceding eps that really got the hype train rolling. His rnb sample heavy "CMYK" and a far more low key affair in his "Klavierwerke EP" impressed not only production wise but his odd structures and hypnotic loops really pushed his sound into a direction distinct from his first two releases. By the end of 2010 James Blake was being mentioned on blogs in every corner of the world and with the announcement of his first full length set to be released early 2011 the attention on Blake grew significantly.
With the album released the question is has Blake lived up to the hype? It certainly safe to say that his album has divided opinion more so than any of his eps. Some find it too short and boring overall whereas others say its by a distance the best album of the year thus far. I would agree with the latter. On first listen I was less than impressed but, this is an album that benefits greatly from repeat listens. Also, I have never come across any other album the benefits so much from listening on headphones. I had been listening to the first single, the Feist cover "Limit to your Love", since the videos release in November without really hearing it. The sub bass that really takes over the track when listened to on headphones or quality speakers is non existent when listened to through laptop speakers. The song takes on a completely different shape, a better shape and overall a more aurally pleasing shape.
The hypnotic "I never learnt to share" reaches a climax with a contrast of a sustained high note and a bass tone that seems to bounce around your skull and cannot help but be admired. There is so much detail put into the album that cannot be picked up on casual listens. You need to spend time with this album and your time will be well rewarded with fantastic production and something that was largely absent from Blake's eps, his very impressive vocals. When he gets into his falsetto range it really can be something special. Something that is exemplified in his breathtaking cover of Joni Mitchell's "A case of you".
It was always going to be difficult if not impossible for James Blake to live up to the enormous amount of hype that surrounded and still surrounds him. In saying that I believe he has made the best album of the year so far by a distance. This is in no way surprising as he supplied me with my favorite song of last year in CMYK, and my favorite of this year in the crescendo packed The Wilhelm Scream. I for one will be very excited to see where he goes from here as all of his releases have been so varied stylistically.